ART – THE HIGHEST FORM OF HOPE. Ukraine – the last bastion of light
- info212279
- Aug 20
- 2 min read
14.08 — 14.09.2025

Ukraine is a living wound on the body of civilization, through which the world examines itself. It is a mirror in which Europe sees its own fatigue, and the ideals of democracy are tested for authenticity. Here, amid the ruins of the old world, between the concrete remains of high-rise buildings and torches on barricades, a new ethic of resistance, sacrifice, and memory is taking shape.
Ukraine is a civilization that desperately clings to culture, even when violence goes beyond all limits. Here, song becomes a bullet, prayer becomes armor, and image becomes an act of resistance. Goodness here is not sentimentality, but choice. Not comfort, but heroism.
Evil wants to make people indifferent, because indifference is stronger than hatred. Indifference is the death of love. And so, evil wins not when it destroys cities, but when it kills the ability to cry over their ruins.
Ukraine is a place of resistance. It's a heart that keeps beating in the chest of a dead world. It's a stronghold of meaning in times of collapse. When it seems like history has lost its logic, Ukrainians give it back its dignity.
Europe, accustomed to stability, is now afraid to look through the Ukrainian window. For there is a reminder of the price of freedom. That convenience does not equal truth. That peace is not the absence of war, but the presence of dignity. And it is Ukraine that pays for this dignity again and again.
Ukraine is an impregnable outpost of freedom. It is a soul that has not signed a surrender. It is the nerve of a nation that has become a litmus test for all of civilization. It is a light that comes from within the darkness, without averting its eyes. And as long as it burns, darkness has not yet prevailed.
Oleksandr Lyapin

Yuriy Denisenkov. Black Water. 2022. 100X100, paper, charcoal, oil

Yuriy Denisenkov. Expectations. 2023. 150X120, canvas, oil

Serhii Korniievskyi. Without a Goal. 2025. 150x100, canvas, oil

Stepan Ryabchenko. Dance. 2016-2020. 199X150, digital print

Serhii Korniievskyi. Without a Goal. 2025. 150x100, canvas, oil

Oleg Zhivotkov. My Beloved Seimas. 2012. 50x120, canvas, oil

Sasha Makarska. Irpin. 2024. 107X87, canvas, oil

Sasha Makarska. Dante. 2024. 107X87, canvas, oil

Andriy Tsoy. Portrait of a Stranger. 2024. 200X150, canvas, acrylic

Anastasia Poderevyanska. From the series “Earthly and Unearthly Phenomena” Tyrlich. 2024. 180 x 168, textiles, hand embroidery

Olesya Trofimenko. Dangerous Sky. 2025. 80x195, canvas, oil, hand embroidery

Oleksandr Lyapin. Untitled. 2025. 120X100, canvas, mixed media

Max Vitik. Nectar Period 3920. 3850 million years ago. 2014. 100X150. Canvas, enamel

Oleksandr Lyapin. Untitled. 2025. 100X90, canvas, mixed media

Max Vitik. His bright and rosy dream. 2007. 100X150, canvas, enamel, acrylic

Vadim Petrov. Flowering Tree. 1993. 160 x 170, canvas, oil

Igor Gusev. Amsterdam Plus. 2017. 100x80, canvas, oil
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